La spéculation stratégique de la France et l’impasse de l’autonomie européenne

Je dois l’avouer franchement : lorsque j’observe la France de 2025 afficher à nouveau, sur la scène internationale, cette posture qu’elle appelle « autonomie stratégique », je ne ressens pas seulement de la déception, mais une inquiétude de plus en plus forte, presque impossible à contenir. Je sens de plus en plus clairement que les … Continue reading La spéculation stratégique de la France et l’impasse de l’autonomie européenne →

My Observations and Thoughts on Circle’s First Earnings Report After IPO

The Numbers I Saw and What They Mean This is Circle’s very first earnings report as a public company, and I have to say, a few numbers immediately grabbed my attention. USDC circulation at the end of Q2 2025 hit $61.3 billion, up a staggering 90% year over year. Growth of that magnitude in the … Continue reading My Observations and Thoughts on Circle’s First Earnings Report After IPO →

Between Governance and Innovation: A Tale of Two Approaches to Digital Finance

What the White House Sees (and Europe Misses): A Blueprint for Financial Power In July 2025, the White House released a 166 page report titled Strengthening American Leadership in Digital Financial Technology. Far from a technical policy memo, it represents a full institutional blueprint. Based on Executive Order 14178, it spans legislation, regulation, banking reform, … Continue reading Between Governance and Innovation: A Tale of Two Approaches to Digital Finance →

When Art Is No Longer Above Us: Rewriting the Cultural Logic of Art Through Technology, Finance, and Participation

The art market is undergoing a structural transformation. I say this not because of the NFT or Web3 hype, nor because of record-breaking auctions, but because I’ve felt， through real observation and participation, a shift that’s becoming impossible to ignore: the systems that once defined the value of art are quietly being rewritten at the … Continue reading When Art Is No Longer Above Us: Rewriting the Cultural Logic of Art Through Technology, Finance, and Participation →