When I stepped into POSTCITY in Linz during the Ars Electronica Festival 2025, held from September 3 to 7, I didn’t just arrive, I collided with something electric. The theme, “PANIC: Yes/No?”, wasn’t a mere slogan. It felt like a mirror held up to my own internal disquiet. I’ve long associated panic with paralysis, but … Continue reading Ars Electronica 2025: Panic, Celebration, and the Future of Art’s Economy →